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Govan Old Church stands on the banks of the River Clyde. It is a Victorian Church, but there have been previous churches on the site for a very long time. The boundary of the churchyard is curved rather than rectangular like an ordinary churchyard, and it is beleived that it may date back to the 5th century. Bones from a grave there have been radio-carbon dated to that time. Inside the church (which is not always open - see below for details of their website) are about 30 carved stones which were originally in the churchyard but were brought under cover in Victorian times. There are several 'hogbacks', stones which look like an upturned boat but are probably the shape of Viking church roofs (see right). There are several crosses with Celtic knots and mounted figures. These were laid flat rather than upright. Finally, there is a magnificent carved sarcophagus. The stones are in various styles, mostly Viking, but also Pictish and even Saxon. There are unfortunately no inscriptions (except later ones where the stones were reused as gravestones). The quality of the carving is so good that it is thought that these were the burial stones of Strathclyde kings. Govan Old Church's website is here - click on Goval Old Friends to see when the church to open to visit. Some of the following knots are double stranded, which is easier for carving designs. Click here for a discussion of this. |
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![]() This is the sarcophagus. I leave this end as an exercise for the reader. I can work out parts of it, but I'm quite sure that some parts get tucked behind others and disappear! | ![]() This is the other end of the sarcophagus. There is just one string, but I have coloured it in three colours to show how the knot works. It has double strands. |
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This is one side end of the sarcophagus.
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This is the other side end of the sarcophagus. The left-hand pattern looks like a regular pattern, but in fact various strings seem to end abruptly and get tucked under others!
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The right-hand pattern is far more regular. There are three strings. I coloured one red and pink to disentangle how the knot works. I must point out that the middle top knot is a reconstruction, as the top edge seems damaged. But all the rest seem to be so regular, so I assume that one is as well. |
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Another cross. This is single strand.
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There is an odd thing about this pattern. There are four corner flourishes which join to a diamond shaped pattern in the middle. The whole pattern looks square, and the diamond is a tilted square. That should mean that the corners join the middle of the edges of the diamond, but they don't. A cerain amount of fudging with different angles of slope disguise this. I have tried to extend the idea of the pattern, below. The first one is very similar to the original pattern. I have corrected what I think is the original mistake, and I have smoothed the edges to make a rectangular pattern. The other two patterns are redrawn as squares, and put the join of the corners in the middle of the edges of the diamond. The middle pattern below is similar to the left and right of the original pattern, while the right pattern is more like the top and bottom.
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This cross has several Celtic knots, which seem more regular than most of the Govan knots.
The next pattern is not a knot. It is a triangular Greek key pattern.
I haven't done my own versions of these knots as the originals seem regular and attractive. |
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There are more Celtic knots from Scotland here.